Brand:
Fujifilm XF 100-400mm f/4.5-5.6
Congratulations to Javier Sotomayor, November 2023 PFRE Photographer of the Month! The theme this month was "Open." Javier Sotomayor - Entry #879 Dave Koch - Entry #877 Peter Wingfield - Entry #874 Here's what Javier has to say: Hello First of all I wa ...
As an Amazon Associate we earn from qualifying purchases.
The Fuji XT2 is a versatile camera and failure to pair it with the right lens will limit its
Quick Navigation
Depending on your
|
Brand:
Fujifilm XF 100-400mm f/4.5-5.6
|
Brand:
Fujinon XF 16-55mm f/2.8
|
Brand:
Rokinon 12mm f/2
|
|
|
|
|
Lens Type:
Telephoto
|
Lens Type:
Standard
|
Lens Type:
Wide Angle
|
|
Maximum Focal Length:
400mm
|
Maximum Focal Length:
55mm
|
Maximum Focal Length:
12mm
|
|
4.6
|
4.7
|
4.4
|
This table shows some of the essential features you need to consider for the best lens for Fujifilm XT2.
| Product | Optical Elements | Diaphragm Blades | Weight (Pounds) |
|---|---|---|---|
| Rokinon 12mm f/2 | 5 | 7 | 0.6 |
| Fujinon XF 56mm f/1.2 | 3 | 7 | 0.89 |
| Fujinon XF 23mm f/1.4 | 1 | 7 | 0.66 |
| Fujinon XF 16-55mm f/2.8 | 6 | 9 | 1.44 |
| Fujifilm XF 16mm f/1.4 | 4 | 9 | 0.83 |
| Fujifilm XF 100-400mm f/4.5-5.6 | 6 | 9 | 4.2 |
| Zeiss Touit 50mm f/2.8 | 4 | 9 | 0.64 |
| Fujinon XF16-80mm f/4 | 4 | 9 | 1 |
| Fujinon XF 16mm f/2.8 | 2 | 9 | 0.9 |
| Fujinon XF 23mm f/2 | 2 | 9 | 0.7 |
With a rugged design, the Fujifilm XF 100-400mm f/4.5-5.6 is sturdy and durable regardless of the dust or moisture in your shooting environment. The wide focal length range allows you to cover a broader scene, making it suitable for interior and exterior real estate
It’s equipped with a twin linear autofocus motor that facilitates fast focusing performance for photographing moving and distant subjects. Also, the focus limiter button prevents focus hunting by constraining the range of focus from 16.4 inches to infinity or from 5.7 inches to infinity.
Unlike the Fujinon XF 16-55mm f/2.8, it features an image stabilization function that helps reduce the camera shake effect when shooting handheld.
It comes with a nine-blade aperture diaphragm, facilitating the production of smooth and bokeh quality. With 4.2 pounds weight, it’s the heaviest on my list, which limits portability.
As a standard zoom lens, the Fujinon XF 16-55mm f/2.8 is flexible and versatile for use in varying shooting conditions and subjects.
Although many zoom lenses don’t perform well in poor lighting, the fast f/2.8 aperture allows this lens to perform exceptionally well in low-light, as well as give you a better application of the shallow depth of field.
With both the aspherical and low dispersion elements in its optical design, the chromatic and spherical aberrations and distortions are minimal.
Unlike the Fujinon XF 23mm f/1.4, it uses advanced HT-EBC and Nano-Gl coating to eliminate the flare and surface reflection when capturing in a strong light. However, it’s the second heaviest on my list, which contributes to its limited portability.
The Rokinon 12mm f/2 is a wide-angle prime that boasts a broad 98.9 degrees viewing angle, making it a great option for shooting the interior, real estate, landscape, and architectural images.
Unlike the Fujinon XF 16-80mm f/4, the f/2 bright aperture enhances its performance even when shooting indoors with low ambient light. With two aspherical and three low dispersion elements, it significantly combats the optical distortions, enhancing the sharpness and clarity of the resulting image.
Also, to improve the color fidelity and image contrast, these elements feature a Nano-coating which suppresses the surface reflections and ghosting.
It weighs 0.6 pounds, making it the most lightweight on my list and most convenient to carry. However, Rokinon 12mm f/2 is not weather-resistant, making it unsuitable for use in harsh environments.
The Fujinon XF 56mm f/1.2 is distinguished by its fast f/1.2 aperture, which allows it to capture better portraits than the Rokinon 12mm f/2. Also, this aperture makes it the best low-light performing lens on my list.
It employs both the low dispersion and aspherical elements to reduce the color fringing, distortions, and aberrations for improved image quality.
Unlike the Rokinon 12mm f/2, it uses a Super EBC coating to eliminate the ghosting and flare for improved color accuracy and contrast, especially when shooting in strong lighting.
With an internal focusing design, Fujinon XF 56mm f/1.2 maintains its overall length when focusing, reducing disturbances that may frighten a camera-sensitive subject. Although it’s lighter than the Fujinon XF 16-55mm f/2.8, the 0.89 pounds is still heavy to carry comfortably in a camera bag.
The Fujinon XF 23mm f/1.4 is a wide-angle prime that features a maximum wide aperture of f/1.4, making it ideal for selective focus techniques. The incorporation of a spherical element helps suppress the distortions for increased image sharpness and clarity.
Like the Fujinon XF 56mm f/1.2, it utilizes a Super EBC coating on the optical element, which helps minimize the ghosting and flare, maintaining the contrast and color fidelity. With a seven-blade aperture diaphragm, it produces a smooth bokeh.
However, the bokeh quality can’t match the one produced by the nine blades in the Fujinon XF 16-55mm f/2.8.
It weighs 0.66 pounds, the second most lightweight on my list, which makes it ideal for shooting for an extended period without exhaustion. However, without zoom capabilities, Fujinon XF 23mm f/1.4 is unsuitable for shooting distant subjects.
The Fujifilm XF 16mm f/1.4 is a wide-angle prime with an impressive field of view, making it ideal for capturing landscapes, architectural and real estate images. The fast f/1.4 wide aperture enhances low-light performance, making it suitable for shooting indoors where light is inadequate.
The optical construction consists of two aspherical and two low dispersion elements geared towards combating the optical distortions that are common in wide-angle lenses. Unlike the Fujinon XF 23mm f/1.4, the physical construction is weather-resistant, which makes it convenient for use in dusty circumstances such as wildlife
The advanced autofocus functionality facilitates quiet and fast focusing performance, making it convenient for shooting action. Unlike the Zeiss Touit 50mm f/2.8, the 0.83 pounds weight might exhaust you if shooting for a prolonged time.
With a life-size magnification of 1:1, the Zeiss Touit 50mm f/2.8 is the best performer on my list when it comes to close-up shooting, portraiture, and macro
The optical construction features two low dispersion and two low spherical elements, which helps control the color fringing, distortions, and aberrations. This allows you to capture clear and sharp images in a variety of shooting situations.
It employs a floating elements system to ensure consistent image quality when focusing. The elements are then coated with Zeiss coating to eliminate the ghosting and flare, further improving the image contrast and color fidelity.
Unlike the Fujifilm XF 100-400mm f/4.5-5.6, the lack of weather sealing limits you on the conditions you can shoot with it.
The Fujinon XF 16-80mm f/4 is a versatile zoom that spans a medium-telephoto to wide-angle perspective, making it suitable for a wide array of shooting conditions. With a constant aperture of f/4, it maintains the image quality over the zoom range.
However, the f/4 performance in poorly lit circumstances can’t match the Fujinon XF 16mm f/2.8. With three aspherical elements and one ED element, it significantly eliminates the optical distortions for increased image sharpness.
A Super EBC coating is used to suppress the ghosting and surface reflections, especially when shooting in backlit circumstances.
Also, it is equipped with a six-stop image stabilization functionality which helps limit the camera shake effect even when shooting without a tripod. Despite the professional features, it weighs one pound, making it the most lightweight zoom lens on my list.
The Fujinon XF 16mm f/2.8 is a wide-angle prime that balances the speed, professional features, and size, making it convenient for use in nature, architecture, and landscape
With two aspherical elements in its optical design, the chromatic and spherical distortions and aberrations are significantly minimized, boosting the overall image quality. The element comes with a Super EBC coating which in turn suppresses the ghosting and flare that is common in wide-angle primes.
It employs a stepping motor that facilitates fast and effortless focusing performance. Unlike the Zeiss Touit 50mm f/2.8, the weather sealing makes it convenient for use in trying situations. The nine-blade aperture diaphragm enhances the production of an impressive bokeh.
It weighs 0.9 pounds, which is 0.2 pounds heavier than the Fujinon XF 23mm f/2, making it less appealing to carry.
Designed with portability in mind, the Fujinon XF 23mm f/2 is a versatile and compact lens which makes it a great walk-around option.
Although the maximum wide aperture of f/2 doesn’t perform well in difficult lighting like the Fujinon XF 23mm f/1.4, it provides an excellent balance between performance and portability.
Thanks to the two aspherical elements, it significantly reduces the optical distortions for enhanced image quality. Like the Fujinon XF 16mm f/2.8, it further improves the image quality by using the Super EBC coating to combat ghosting and flare.
It features a weather sealing that protects it from moisture and dust, allowing you to shoot worry-free in trying conditions such as freezing temperatures. Despite the rugged design, it weighs 0.7 pounds, making it suitable for shooting handheld for a prolonged time.
After purchasing a Fujifilm XT2 camera and determining the shooting style and conditions, you might end up confused about the Fujifilm XT2 lens that will suit those needs. Fortunately, the above review provides you with multiple options with varying specifications and capabilities.
